The sculpture has taken an extensive search for the personal meaning of individual objects. I collect objects and materials that are meaningful to my experiences in order to convey two stories. The story of the past and the second the creation of an optimistic approach for posterity. Once the intellectual and spiritual process of gathering and sorting memories and responses is complete. The objects and the combined memories or souls of the objects, are considered and then shaped in honor of and accordance with the essence of their past lives, uses and recollections, to be given a new life. We embarked with the beginning stage of shared memories from different time periods yet the same location and similar lifestyle. Phase II will begin with a random search of material that contain shared memories, again from similar experiences yet from two different time periods. The exploration and discovery of objects that convey an inherent experience symbolizes a transcendence that will be understood by another from a dissimilar background. If this is achieved then I feel that this could reiterate the conversation that a deeper a connection exists with all across the globe.

Stainless steel sculpture

After compressing indelible objects they are wrapped and entombed within stainless steel. The completed pieces are a wealth of life that celebrates many and continues to address my mantra “Economizing Mother Nature’s resources by sustainability.

Organic sculpture

I firmly believe that sculpture is necessary as an example on how to implement optimum recycling systems in order to leave a viable and livable earth that has sustainable resources for posterity.

Painted Sculpture

The larger whole of sculpture as assembly, is the sourcing of materials that have been worked for other purposes thus promoting the conservation of resources.

Public Art

Public art is important not only to complement an environment and create a serene and welcoming place that provokes though by many from all walks of life

Maquette

In 1996 I began proposing public art by creating maquettes of my ideas from stocks of wood. Soon I transitioned to steel for assembling vignettes for larger pieces.

Luminaria

Time and technology proved that strictly using DC energy to power DC appliances is more efficient. The exchange of art and the environment will open the door on how these practices will synergistically address energy concerns with environmental preservation and a vast range of ecological issues.

Assemblages

Influenced by larger assemblages, small leftover pieces have been saved, documented as far as which sculpture, event or source of where they came from.

Bicycles

I started collecting bicycles in order to build a bicycle designed for my body type “Frankenbike”. After removing what I needed. The leftover pieces that I set on the ground came to life with their own sculptural histories.